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The Ballad of Baby Doe

folk opera

Music by Douglas Moore
Libretto by John Latouche
About The Ballad of Baby Doe

Commissioned by the Koussevitsky Foundation of the Library of Congress for the bicentennial of Columbia University, The Ballad of Baby Doe has become one of the most popular American operas of the modern day. The opera's characters are based on historical persons, and the work premiered in the opera house in Colorado that is central to the opera's plot.

Cast of Characters
Horace Tabor, mayor of Leadville, bar Augusta, his wife, ms
Mrs. Elizabeth ("Baby") Doe, s Mama McCourt, her mother, c
William Jennings Bryan, presidential candidate, b-bar Kate, s
Elizabeth Tabor, age 12, s Silver Dollar Tabor, age 7, actor
Sarah, Mary, Emily, Effie, friends of Augusta Sam, Bushy, Barney, Jacob, cronies of Tabor
Chester A. Arthur/Father Chapelle/Silver Miner/Hotel Clerk/Mayor/Stage Doorman, 2 tenors Bouncer/Albert/Footman/Politician, bar
Meg/Grown-Up Silver Dollar/Samantha, ms
Washington dandies, dance hall girls, wedding guests, miners, etc.
Synopsis

Act I

In Leadville, Colorado, silver magnate and lieutenant governor Horace Tabor talks with some of his cronies outside the opera house he has built, at his wife Augusta's urging. She is angry that he refuses to give up his rough pioneer habits. As they are going back in after intermission, Horace meets "Baby" Doe, a young woman who has left her husband in Central City and come to Leadville. After the concert, they meet again, and Horace declares his love for her. Some time later, Augusta finds out about their affair; after warning Horace that he should stop speculating his fortune in silver mines, she determines to drive Baby out of town. Baby is about to leave because of the guilt she feels about loving Horace, but he convinces her to stay; Augusta learns that Horace is planning to divorce her and decides to cause a scandal. In Washington some months later, Horace, now a senator, marries Baby; their wedding is attended by the President, Chester A. Arthur, but Tabor's social standing is threatened by the scandal of Baby's divorce and his fortune is threatened by bimetallism.

Act II

At a party some years later, Augusta comes to warn Baby of the coming silver crash; she says that Tabor must sell the Matchless Mine, his most profitable mine, or he will be ruined. Baby, at first swayed by her argument, decides to trust Tabor and wait for silver to rise again. Tabor throws his lot in with William Jennings Bryan and is ruined in the elections of 1896. Baby's mother goes to Augusta to ask her to help the now-destitute Tabor, but she refuses; on the stage of his opera house, Tabor, sick and delirious, remembers his past life and thinks about his future. Baby enters, and as Tabor dies, Baby begins a long vigil for him at the Matchless Mine which ruined him.

Performance History
World premiere
Central City Opera House, Central City, Colorado
July 7, 1956
Tabor: Walter Cassel (later Clifford Harvuat)
Augusta: Martha Lipton (later Frances Bible)
Baby Doe: Dolores Wilson (later Lenya Gabriele)
Mama McCourt: Beatrice Krebs
William Jennings Bryan: Lawrence Davidson (later Norman Treigle)
Emerson Buckley, conductor
Donald Oenslager, production designer
Hanya Holm and Edward Levy, stage directors
New York premiere
New York City Opera, New York, New York
April 3, 1958
Tabor: Walter Cassel
Augusta: Martha Lipton
Baby Doe: Beverly Sills
Mama McCourt: Beatrice Krebs
William Jennings Bryan: Joshua Hecht
Emerson Buckley, conductor
Vladimir Rosing, stage director
Discography Search for recordings of The Ballad of Baby Doe at Amazon.com

Douglas Moore: Letter Song from The Ballad of Baby Doe

on

Renee Fleming

I Want Magic! American Opera Arias

CD / Polygram 160567 (1998)

Douglas Moore: Willow Song from The Ballad of Baby Doe

on

Dawn Upshaw

The World So Wide

CD / Nonesuch 79458 (1998)

Douglas Moore

The Ballad of Baby Doe (premiere recording)

Sills/Cassel/Bible, NY City Opera/Buckley

2 CD / Polygram 465148 (1999)

Bibliography Search for book about The Ballad of Baby Doe at Amazon.com

Douglas Moore: "Augusta! How can you turn away?" from The Ballad of Baby Doe

in

G. Schirmer American Opera Anthology: Mezzo-Soprano

G. Schirmer 2004

Douglas Moore: "Good people of Leadville" from The Ballad of Baby Doe

Douglas Moore: "Turn tail and run then" from The Ballad of Baby Doe

Douglas Moore: "Warm as the autumn light" from The Ballad of Baby Doe

in

G. Schirmer American Opera Anthology: Baritone/Bass

G. Schirmer 2004

Douglas Moore: "Always Through The Changing" from The Ballad of Baby Doe

Douglas Moore: "Dearest Mama" from The Ballad of Baby Doe

Douglas Moore: "Silver Aria" from The Ballad of Baby Doe

Douglas Moore: Willow Song from The Ballad of Baby Doe

in

G. Schirmer American Opera Anthology: Soprano

G. Schirmer 2004



Last update: January 1, 2009