Arias for soprano | Arias for mezzo-soprano | Arias for contralto | Arias for tenor | Arias for baritone | Arias for bass | Duets and scenes Arias for soprano
"Oh woo a woman not with sentimental glances" sung by Roxane in Cyrano by Walter Damrosch first performed by Frances Alda A lightweight but sparkling coloratura entrance aria for Roxane. "To this we've come" sung by Magda Sorel in The Consul by Gian Carlo Menotti first performed by Patricia Neway In one of Menotti's most powerful arias, Magda Sorel condemns the inhumanizing bureacracy that has destroyed her last chance at freedom. A true showstopper in the hands of a soprano with a good instrument and a dramatic sense. "Sola, abbandonata" sung by Mary Stuart in David Rizzio by Mary Carr Moore first performed by Dorothy Francis Mary I, Queen of Scotland, raised in France and hated by her subjects for her Catholic religion, laments her solitary position. Arias for mezzo-soprano
"Ah! Michele, don't you know" sung by Desidera in The Saint of Bleecker Street by Gian Carlo Menotti Arias for contralto
"My one consolation" sung by Marilyn Klinghoffer in The Death of Klinghoffer by John Adams first performed by Sheila Nader Not knowing her husband Leon has been shot, Marilyn sings about her own physical pain and about how Leon copes with his paralysis. "You embraced them!" sung by Marilyn Klinghoffer in The Death of Klinghoffer by John Adams first performed by Sheila Nader In the opera's final aria, Marilyn, having just learned that her husband has been shot, lashes out at the Captain for cooperating with the hijackers before mourning for her husband, remembering their life together and imagining his death. As the aria ends, she wishes that she had died as well. Baba's Aria sung by Madame Flora in The Medium by Gian Carlo Menotti first performed by Claramae Turner The fraud of a medium, frightened by a real phenomenon she cannot explain, drinks herself to sleep. "Whoa-oop! God save this merry company!" sung by Alisoun (the Wife of Bath) in The Canterbury Pilgrims by Reginald De Koven first performed by Margaret Ober Alisoun in De Koven's The Canterbury Pilgrims is a rarity, a principal role written for contralto. This is her entrance aria. "Shall we ever see" sung by The Mother in The Consul by Gian Carlo Menotti first performed by Marie Powers In this brief aria, Magda's mother wonders whether her children or grandchildren will see the end of the political oppression in their country. "I shall find for you shells and stars" sung by The Mother in The Consul by Gian Carlo Menotti first performed by Marie Powers Magda's mother sings a lullaby to her grandchild and a lament for herself Arias for tenor
"Outside this house the world has changed" sung by Anatol in Vanessa by Samuel Barber first performed by Nicolai Gedda Anatol tells Erika that he will not offer her eternal love, but he can offer her friendship and pleasure. "Once when I was a young man" sung by Mr. Owen (the man with a paint box) in Postcard from Morocco by Dominick Argento first performed by Vern Sutton Mr. Owen sings about an imaginary ship he saw when he was a child. "A mighty mass of brick" sung by Byron in Lord Byron by Virgil Thomson first performed by Grayson Hirst Byron sings an ode to London, after living abroad for many years. "I'm getting tired of travellin' through" sung by Martin in The Tender Land by Aaron Copland Martin invites Laurie to run away with him and start a new life on a farm somewhere. Arias for baritone
"And this will be my epitaph" sung by David in A Hand Of Bridge by Samuel Barber first performed by Renée Miville David hates his job and bored with his wife and friends. As he plays his regular game of bridge, he daydreams about a life of wealth and excess. In the end he realizes that even if he became rich, his life would still stay much the same. "It's me, O Lord" sung by Brutus Jones in The Emperor Jones by Louis Gruenberg first performed by Lawrence Tibbett Alone in the jungle, with the drums approaching, Jones prays for help. Arias for bass
"Thank you, San Francisco" sung by George Moscone in Harvey Milk by Stewart Wallace The newly elected Mayor Moscone leads a victory rally. Duets and scenes
"Rise up, my love, my fair one" sung by Wrestling Bradford and Marigold Sandys in Merry Mount by Howard Hanson An extended love duet for soprano and tenor in the Wagnerian tradition.
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